[Historyoftheory] Reminder: CfP: AMS History of Theory Study Group at AMS 2021

[Caleb Mutch]

Dear Historians of Music Theory,

Here's a friendly reminder to consider submitting a proposal for the AMS
History of Theory Study Group's session on Mode at 2021 meeting.  The
details follow:

 

AMS History of Music Theory Study Group Special Session at the AMS 2021

Meeting

 

Deadline: May 15th

November 4-7, 2021, Online

 

Spanning centuries-old histories in Western and non-Western traditions

alike, mode continues to be an important locus for the interrogation of

musical thought. This special session will contribute to the ongoing

conversation on the conceptual and epistemological frameworks of mode in

music theory by placing it in a broader historical context and by

approaching it from a global perspective.

 

We invite proposals for short papers (ca. 15 mins) that engage with the idea

of mode from a wide range of perspectives, including but not limited to:

 

1.      To what extent are the many definitions and conceptualizations of

"mode" across musical cultures comparable with one another? Is a global

understanding of mode possible that avoids the pitfalls of both

fragmentation and reductionism?

2.      How do emic and etic perspectives apply to mode, viewed globally,

forty years after Harold Powers's "Tonal Types and Modal Categories"?

3.      To what degree are the "emic" aspects of mode, which made the

concept unreliable as a music-analytic category to Powers, the same ones

that might ground post-colonial (i.e., pluralistic and culturally inflected)

approaches to music history and musical analysis?

4.      As "tonality" appears increasingly compromised as a

music-theoretical category, might mode be revisited as a viable historical

and ideological framework for the study of Western music? If not mode, then

what?

5.      Mode in non-classical repertories (e.g., jazz, pop music):

conceptual lingua franca or cultural imposition?

6.      Mode as a marker of the exotic, the archaic, the uncorrupted, the

racialized Other.

 

Proposals of no more than 200 words should be sent to historyofmusictheory

-at- gmail.com by May 15th.   

 

Best regards, 

 

Caleb Mutch, Stefano Mengozzi, Emily Zazulia 

 

AMS History of Music Theory Study Group Co-chairs

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