[Historyoftheory] Part 1 of HoT Blog Post By Farzad Milani "A Hybrid (Abjadic-Metric) Notation for Seventeen-Tone Temperament of Persian Music" یک روش نت‌نویسی تلفیقی (ابجدی-نقطه‌ای) برای گام هفده-نغمه‌ای موسیقی ایرانی

[Accornero, Giulia]

Check out *part 1* of our new Post in Translation (English and Farsi) "A
Hybrid (Abjadic-Metric) Notation for Seventeen-Tone Temperament of Persian
Music"
<https://historyofmusictheory.wordpress.com/2022/08/29/a-hybrid-abjadic-metric-notation-for-seventeen-tone-temperament-of-persian-music-%db%8c%da%a9-%d8%b1%d9%88%d8%b4-%d9%86%d8%aa%d9%86%d9%88%db%8c%d8%b3%db%8c-%d8%aa%d9%84%d9%81%db%8c%d9%82/>
"یک روش نت‌نویسی تلفیقی (ابجدی-نقطه‌ای) برای گام هفده-نغمه‌ای موسیقی ایرانی"
<https://historyofmusictheory.wordpress.com/2022/08/29/a-hybrid-abjadic-metric-notation-for-seventeen-tone-temperament-of-persian-music-%db%8c%da%a9-%d8%b1%d9%88%d8%b4-%d9%86%d8%aa%d9%86%d9%88%db%8c%d8%b3%db%8c-%d8%aa%d9%84%d9%81%db%8c%d9%82/>
by Farzad Milani.

In this post, Milani examines an instance of seventeen-tone *unequal*
temperament
and its notation through *Abjadic letters.*
Have a good read!


-- 

*Giulia Accornero*Doctoral Candidate in Music Theory, Department of
Music, Harvard
University
The Harvard University Center for Italian Renaissance Studies at Villa I
Tatti Graduate Fellow (Spring 2020)
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