<div dir="ltr"><div class="gmail_default" style=""><font face="tahoma, sans-serif"><span class="gmail-css-901oao gmail-css-16my406 gmail-r-poiln3 gmail-r-bcqeeo gmail-r-qvutc0" style="border:0px solid black;box-sizing:border-box;color:rgb(15,20,25);display:inline;font-variant-numeric:inherit;font-variant-east-asian:inherit;font-stretch:inherit;line-height:inherit;margin:0px;padding:0px;white-space:pre-wrap;min-width:0px">Check out part II of Andrew Ĵ Chung latest post "<a href="https://historyofmusictheory.wordpress.com/2022/05/23/colonial-organology-and-ornithology-in-richard-ligons-acoustics-of-anthropological-difference-part-ii/">Colonial Organology and Ornithology in Richard Ligon's Acoustics of Anthropological Difference</a>." </span><span style="height:1.2em;margin-left:0.075em;margin-right:0.075em;width:1.2em"><img alt="🐦" src="https://abs-0.twimg.com/emoji/v2/svg/1f426.svg" title="Bird" class="gmail-r-4qtqp9 gmail-r-dflpy8 gmail-r-sjv1od gmail-r-zw8f10 gmail-r-10akycc gmail-r-h9hxbl" style="display: inline-block; height: 1.2em; margin-left: 0.075em; margin-right: 0.075em; vertical-align: -20%; width: 1.2em; color: rgb(15, 20, 25); white-space: pre-wrap;"></span><span class="gmail-css-901oao gmail-css-16my406 gmail-r-poiln3 gmail-r-bcqeeo gmail-r-qvutc0" style="border:0px solid black;box-sizing:border-box;color:rgb(15,20,25);display:inline;font-variant-numeric:inherit;font-variant-east-asian:inherit;font-stretch:inherit;line-height:inherit;margin:0px;padding:0px;white-space:pre-wrap;min-width:0px">
<br></span></font></div><div class="gmail_default" style=""><font face="tahoma, sans-serif"><span class="gmail-css-901oao gmail-css-16my406 gmail-r-poiln3 gmail-r-bcqeeo gmail-r-qvutc0" style="border:0px solid black;box-sizing:border-box;color:rgb(15,20,25);display:inline;font-variant-numeric:inherit;font-variant-east-asian:inherit;font-stretch:inherit;line-height:inherit;margin:0px;padding:0px;white-space:pre-wrap;min-width:0px">Chung concludes with a thought-provoking takeaway for 21st-century music theorists.</span></font></div><div class="gmail_default" style=""><font face="tahoma, sans-serif"><span class="gmail-css-901oao gmail-css-16my406 gmail-r-poiln3 gmail-r-bcqeeo gmail-r-qvutc0" style="border:0px solid black;box-sizing:border-box;color:rgb(15,20,25);display:inline;font-variant-numeric:inherit;font-variant-east-asian:inherit;font-stretch:inherit;line-height:inherit;margin:0px;padding:0px;white-space:pre-wrap;min-width:0px">
Have a good read!</span></font><br clear="all"></div><div><br></div>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><font face="garamond, serif"><b style="color:rgb(0,0,0)">Giulia Accornero<br></b><span style="color:rgb(0,0,0)">Doctoral Candidate in Music Theory, </span><span style="color:rgb(0,0,0)">Department of Music, </span><span style="color:rgb(0,0,0)">Harvard University</span></font><br><div><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif;text-align:justify">The Harvard University Center for Italian Renaissance Studies at Villa I Tatti<span> </span></span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">Graduate Fellow</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif"> (</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">S</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">pring 2020</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">)</span></div></div></div></div>