<div dir="ltr"><div class="gmail_default" style="font-family:garamond,serif"><span style="color:rgb(5,5,5);font-family:tahoma,sans-serif;font-size:15px;white-space:pre-wrap">Check out </span><b style="color:rgb(5,5,5);font-family:tahoma,sans-serif;font-size:15px;white-space:pre-wrap">part 2</b><span style="color:rgb(5,5,5);font-family:tahoma,sans-serif;font-size:15px;white-space:pre-wrap"> of our new Post in Translation (English and Farsi) </span><a href="https://historyofmusictheory.wordpress.com/2022/08/29/a-hybrid-abjadic-metric-notation-for-seventeen-tone-temperament-of-persian-music-%db%8c%da%a9-%d8%b1%d9%88%d8%b4-%d9%86%d8%aa%d9%86%d9%88%db%8c%d8%b3%db%8c-%d8%aa%d9%84%d9%81%db%8c%d9%82/" target="_blank" style="font-family:tahoma,sans-serif;font-size:15px;white-space:pre-wrap">"<span style="font-size:0.9375rem;white-space:normal">A Hybrid (Abjadic-Metric) Notation for Seventeen-Tone Temperament of Persian Music"</span></a><br clear="all"></div><div><div class="gmail_default"><div style="margin:0px;white-space:pre-wrap;color:rgb(5,5,5);font-size:15px"><div><font face="tahoma, sans-serif">by Farzad Milani.</font></div><div dir="auto"><font face="tahoma, sans-serif"><br></font></div><div dir="auto"><font face="tahoma, sans-serif">In this post, Milani examines </font><span style="font-family:inherit">how Persian musicologist Mehdi-Qoli Hedāyat (1863–1955) "decoded the Abjadic tone-letter system and combined it with the Western rhythmic notation to create a modern fusion notation."</span></div></div><div style="margin:0.5em 0px 0px;white-space:pre-wrap;color:rgb(5,5,5);font-size:15px"><div dir="auto"><font face="tahoma, sans-serif">Have a good read!</font></div></div></div><font color="#888888"><font color="#888888" style="font-family:garamond,serif"><div><br style="font-family:Arial,Helvetica,sans-serif"></div></font></font></div>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><font face="garamond, serif"><b style="color:rgb(0,0,0)">Giulia Accornero<br></b><span style="color:rgb(0,0,0)">Doctoral Candidate in Music Theory, </span><span style="color:rgb(0,0,0)">Department of Music, </span><span style="color:rgb(0,0,0)">Harvard University</span></font><br><div><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif;text-align:justify">The Harvard University Center for Italian Renaissance Studies at Villa I Tatti<span> </span></span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">Graduate Fellow</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif"> (</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">S</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">pring 2020</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">)</span></div></div></div></div>