<div dir="ltr"><div class="gmail_default" style=""><div class="gmail_default" style=""><font face="tahoma, sans-serif"><span style="color:rgb(5,5,5);white-space:pre-wrap">Check out our new <span class="gmail-il" style="">post</span> "<a href="https://historyofmusictheory.wordpress.com/2022/12/15/teaching-the-theory-of-sweet-sounds-sarah-mary-fittons-1855-conversations-on-harmony-as-public-music-theory/">T</a></span><span style="color:rgb(5,5,5);font-weight:inherit"><a href="https://historyofmusictheory.wordpress.com/2022/12/15/teaching-the-theory-of-sweet-sounds-sarah-mary-fittons-1855-conversations-on-harmony-as-public-music-theory/">eaching the Theory of ‘Sweet Sounds:’ Sarah Mary Fitton’s 1855 Conversations on Harmony as Public Music Theory</a>" </span>by <span style="color:rgb(5,5,5);white-space:pre-wrap">Paula Maust</span></font></div><div class="gmail_default" style=""><h3 class="gmail-x1heor9g gmail-x1qlqyl8 gmail-x1pd3egz gmail-x1a2a7pz gmail-xod5an3 gmail-x14vqqas" style="color:rgb(5,5,5);font-weight:inherit;margin:12px 0px;padding:0px;outline:none"><span class="gmail-x193iq5w gmail-xeuugli gmail-x13faqbe gmail-x1vvkbs gmail-xlh3980 gmail-xvmahel gmail-x1n0sxbx gmail-x1603h9y gmail-x1u7k74 gmail-xo1l8bm gmail-xzsf02u" style="word-break:break-word;max-width:100%;line-height:1.2;min-width:0px"><font face="tahoma, sans-serif" size="2">In this post Maust shows how theorist Sarah Mary Fitton made advanced music theoretical concepts accessible to a broad readership, constituting an early example of public music theory.</font></span></h3></div><div class="gmail_default" style=""><span style="color:rgb(5,5,5);white-space:pre-wrap"><font face="tahoma, sans-serif" style="">Have a good read!</font></span></div></div><div><br></div>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><font face="garamond, serif"><b style="color:rgb(0,0,0)">Giulia Accornero<br></b><span style="color:rgb(0,0,0)">Doctoral Candidate in Music Theory, </span><span style="color:rgb(0,0,0)">Department of Music, </span><span style="color:rgb(0,0,0)">Harvard University</span></font><br><div><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif;text-align:justify">The Harvard University Center for Italian Renaissance Studies at Villa I Tatti<span> </span></span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">Graduate Fellow</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif"> (</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">S</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">pring 2020</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">)</span></div></div></div></div>