<div dir="ltr"><font face="tahoma, sans-serif">Check out "<a href="https://historyofmusictheory.wordpress.com/2023/04/11/towards-an-ethics-of-translation-for-global-history-of-music-theory-part-i/">Towards an Ethics of Translation for Global History of Music Theory</a>" by Anna Yu Wang. This post is <span class="gmail_default" style="">an</span> adapted version of a lightning talk <span class="gmail_default" style="font-family:garamond,serif"></span><span class="gmail_default" style="">Yu Wang </span>presented at the 2022 Business Meeting of the History of Music Theory Interest/Study Group.<br><br>Have a good read!<br><br>--</font><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><font face="garamond, serif"><b style="color:rgb(0,0,0)">Giulia Accornero<br></b><span style="color:rgb(0,0,0)">Doctoral Candidate in Music Theory, </span><span style="color:rgb(0,0,0)">Department of Music, </span><span style="color:rgb(0,0,0)">Harvard University</span></font><br><div><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif;text-align:justify">The Harvard University Center for Italian Renaissance Studies at Villa I Tatti<span> </span></span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">Graduate Fellow</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif"> (</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">S</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">pring 2020</span><span style="color:rgb(136,136,136);font-family:garamond,"times new roman",serif">)</span></div></div></div></div>