<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">Dear friends and fellow musicians, music theorists and musicologists,</div><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class=""></div><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">At the occasion of the first performances in the Netherlands – see flyer below – of my new edition of Mozart’s C-minor Mass K. 427 (Breitkopf & Härtel, 2018), and since this is the first edition of this work done by a music theorist, I want to present to you the following information:</div><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><br class=""></div><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div class=""><b class="" style="font-size: 14px; font-family: Baskerville;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; display: inline !important;"><b class="" style="font-family: Baskerville; font-size: 14px;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; display: inline !important;">– the edition itself, for perusal<b class="" style="font-size: 14px; font-family: Baskerville;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; display: inline !important;"><b class="" style="font-family: Baskerville; font-size: 14px;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; display: inline !important;">: <a href="https://www.breitkopf.com/work/9534/missa-c-moll-kv-427-417a" class="">https://www.breitkopf.com/work/9534/missa-c-moll-kv-427-417a</a></div></b></div></b></div></b></div></b></div><div class=""><b class="" style="font-size: 14px; font-family: Baskerville;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal;">– an interview, on <b class="" style="font-size: 14px; font-family: Baskerville;"><span style="font-family: Helvetica; font-size: 12px; font-weight: normal;" class="">pp. 16-25 of</span></b><b class="" style="font-size: 14px; font-family: Baskerville;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; display: inline !important;">: <a href="https://issuu.com/breitkopf/docs/b_h-_uptodate__2019-2_issuu" class="">https://issuu.com/breitkopf/docs/b_h-_uptodate__2019-2_issuu</a></div></b></div><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal;">– a blog: <a href="https://blog.breitkopf.com/mozarts-great-c-minor-mass-we-can-do-better/" class="">https://blog.breitkopf.com/mozarts-great-c-minor-mass-we-can-do-better/</a></div><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal;"><br class=""></div></b></div></div><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div class="">Your comments are of course more than welcome!</div><div class=""><br class=""></div><div class="">For those who happen to be in Holland by then, the concerts will be preceded by a colloquium on 28 November 4-6 PM in Room 803 of the Conservatory of Amsterdam, Oosterdokskade 151, <span style="caret-color: rgb(34, 34, 34); color: rgb(34, 34, 34); background-color: rgb(255, 255, 255);" class="">1011 DL Amsterdam</span>.</div><div class=""><span class="" style="font-family: Cochin;"><br class=""></span></div><div class=""><span class="" style="font-family: Cochin;">Colloquium </span><i class="" style="font-family: Cochin;">Mozart’s C-minor Mass: the Music, the Completion, the Edition</i><span class="" style="font-family: Cochin;"> (English spoken)</span></div><div class=""><div class=""><font class="" face="Cochin"><span class="">Clemens Kemme, editor of the new Breitkopf edition, Ralf Pisters, analyst, John Koslovsky, moderator</span></font></div></div><div class=""><br class=""></div><div class="">Apart from discussing the music together with my colleagues and the audience, I will be happy to share my experience in completing, editing and doing musicological research on the Mass.</div><div class=""><br class=""></div><div class=""><b class="" style="font-size: 14px; font-family: Baskerville;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal;">All best from Amsterdam,</div><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal;">Clemens Kemme</div><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal;"><br class=""></div></b></div></div></div></div></div></div></div></div></div></div></body></html>