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<p class="MsoFootnoteText"><b>Rhythm in Music since 1900<o:p></o:p></b></p>
<p class="MsoFootnoteText">22-24 September, 2023 <o:p></o:p></p>
<p class="MsoFootnoteText">Schulich School of Music, McGill University<o:p></o:p></p>
<p class="MsoFootnoteText"><o:p> </o:p></p>
<p class="MsoFootnoteText">Call for presentations<o:p></o:p></p>
<p class="MsoFootnoteText"><o:p> </o:p></p>
<p class="MsoFootnoteText"><b>Submission deadline: 1 May 2023</b><o:p></o:p></p>
<p class="MsoFootnoteText"><o:p> </o:p></p>
<p class="MsoFootnoteText"><i> Keynote speakers:</i><o:p></o:p></p>
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<![if !supportLists]><span style="mso-list:Ignore">•<span style="font:7.0pt "Times New Roman"">
</span></span><![endif]><span style="font-family:"Times New Roman",serif">Nicole Lizée, composer</span><o:p></o:p></p>
<p class="MsoNormal" style="margin-left:.8in;text-indent:-.5in;mso-list:l0 level1 lfo1;text-autospace:none">
<![if !supportLists]><span style="mso-list:Ignore">•<span style="font:7.0pt "Times New Roman"">
</span></span><![endif]><span style="font-family:"Times New Roman",serif">Miles Okazaki, jazz guitarist and composer</span><o:p></o:p></p>
<p class="MsoNormal" style="margin-left:.8in;text-indent:-.5in;mso-list:l0 level1 lfo1;text-autospace:none">
<![if !supportLists]><span style="font-family:"Times New Roman",serif"><span style="mso-list:Ignore">•<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-family:"Times New Roman",serif">Jason Yust, music theorist<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif">Rhythm in music since 1900 remains a rich and fascinating field of inquiry. The second
<i>RiMs1900</i> conference seeks to bring multiple perspectives to bear on this field. It will address repertoires ranging from jazz and popular music to global musics and art musics, and topics from performance and pedagogy to cognition and theory. The keynote
presenters are a composer, guitarist, and music theorist at the leading edges of rhythmic experimentation and conceptualization.
<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif">We invite proposals on any topic exploring rhythm in any music since 1900. We will consider proposals for presentations (20 min. presentation +10 min. discussion),
lecture-recitals (30 min. presentation + 10 min. discussion), alternative format presentations (workshops, etc.), and special sessions of any format.
<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif">Submissions should include an anonymous proposal of 500 words or less and up to four pages of additional materials (examples, bibliography, etc.). Proposals for
lecture-recitals may include up to two links for supporting audio-visual material; this material need not be anonymous. Proposals for special sessions should indicate, in the proposal document, the nature of the session, the format, any special needs, and
desired amount of time. Proposals should be submitted as a single anonymous PDF, to
</span><a href="https://forms.gle/sN74MhqhYzR2i5gz8"><span style="font-family:"Times New Roman",serif">https://forms.gle/sN74MhqhYzR2i5gz8</span></a><span style="font-family:"Times New Roman",serif">, where the presenter’s name, e-mail, affiliation; presentation
title and format; and equipment needs will also be requested.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif">Questions should be directed to
</span><a href="mailto:RhythmSince1900@gmail.com"><span style="font-family:"Times New Roman",serif">RhythmSince1900@gmail.com</span></a><span style="font-family:"Times New Roman",serif">.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif">The deadline for submission of proposals is 1 May 2023.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-left:103.5pt;text-indent:-103.5pt;text-autospace:none">
<span style="font-family:"Times New Roman",serif">Program committee: Daphne Leong (University of Colorado Boulder, Dean’s Chair in Music at McGill University), chair,
<i>ex officio</i>; Ben Duinker (McGill University), Jonathan Goldman (Université de Montréal), Christoph Neidhöfer (McGill University)<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:103.5pt;text-indent:-103.5pt;text-autospace:none">
<span style="font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-size:11.0pt;font-family:"Times New Roman",serif">This conference follows the first international
</span><a href="https://www.colorado.edu/conference/rhythm-since-1900/"><i><span style="font-size:11.0pt;font-family:"Times New Roman",serif">Rhythm in Music since 1900</span></i></a><span style="font-size:11.0pt;font-family:"Times New Roman",serif"> (2019)
conference, held at the University of Colorado Boulder.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-size:11.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;color:black"> </span><span style="font-size:10.5pt;color:black">____________________________________________</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;color:black">Daphne Leong <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;color:black">Dean’s Chair in Music (2023), Schulich School of Music, McGill University </span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;color:black">Professor, Music Theory, College of Music, University of Colorado Boulder</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;color:black"><a href="http://www.colorado.edu/music/daphne-leong" title="http://www.colorado.edu/music/daphne-leong"><span style="color:#0563C1">http://www.colorado.edu/music/daphne-leong</span></a></span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;color:black">book: <i><a href="https://global.oup.com/academic/product/performing-knowledge-9780190653545?cc=us&lang=en&"><span style="color:#0563C1">Performing Knowledge</span></a></i></span><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-autospace:none"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
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