[Smt-talk] STRAVINSKY
Chair of Music
jablonsky at optimum.net
Wed Feb 18 05:18:24 PST 2009
Rebecca,
Consider the possibility that you are trying to do the impossible, or,
at least, the improbable. The "Neo-classicism" of Stravinsky is, in my
opinion, a musical parallel to the art world's explorations of Dada
and Surrealism. If you look at Dali's bent watches and try to tell the
time you are attempting to do the same thing as making sense of
Stravinsky's triads (non triads). You are correct that the harmonic
material in Pulcinella ranges everywhere from completely tonal to
completely bent out of shape--kinda like walking past fun house
mirrors. Remember, that you are trying to understand the mind of a
great composer who was infinitely playful, comical, and a major
trouble maker. This won't solve your technical problem but I hope it
gives you some perspective as you try to sort out your data. By the
time Pulcinella came along the diatonic tonal system was dead and
buried. Stravinsky was using the parts of this dead system in the same
way that Dr. Frankenstein was trying to create new life. Got the
picture? What made Stravinsky so great was the fact that no matter
what stole (and he stole a lot of different stuff throughout his long
career) he processed it in his own unique way and it came out sounding
like Stravinsky. You may come up with a lot of data and exquisite
formulas but pinning down Stravinsky is like herding cats.
I hope this helps.
Prof. Stephen Jablonsky, Ph.D.
Music Department Chair
The City College of New York
160 Convent Avenue S-72
New York NY 10031
(212) 650-7663
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