[Smt-talk] Quarter-comma meantone and augmented sixth chords
Kris Shaffer
kris.shaffer at gmail.com
Wed Aug 25 09:56:50 PDT 2010
Eric,
I don't have any quarter-comma pieces for you with augmented sixths,
but Ligeti's Passacaglia ungherese (1978) for quarter-comma mean-tone
harpsichord may be of interest to you, depending on what kind of
project you're working on. As a rule, Ligeti avoids wolf intervals in
harmonic sonorities in this piece (though not entirely), but there are
a number of wolf melodic intervals, including some prominent and
frequently repeated diminished thirds in the ground. I've attached
the opening of the piece. Bar 3, chords 2 and 3 (and the 'resolution'
in the two subsequent chords) would probably interest you most, as
it's the closest thing to an augmented-sixth chord in this piece: a
le-fi-sol bass schema, which does follow with the expected 'tonic' (in
first inversion). The notes of the 'le' and 'fi' chords would,
interestingly, combine to form a French-sixth chord, but Ligeti never
capitalizes on that in this piece.
Kris Shaffer
Ph.D. candidate in music theory, Yale University
http://kris.shaffermusic.com
On Aug 25, 2010, at 9:42 AM, Eric Knechtges wrote:
> Hello all,
>
> Does anyone have an example of an augmented sixth chord in a
> piece of music that would likely have been performed on a keyboard
> tuned in quarter-comma meantone?
>
> Eric Knechtges, DM
> Assistant Professor, Coordinator of Theory/Composition
> Northern Kentucky University
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> Smt-talk mailing list
> Smt-talk at societymusictheory.org
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