[Smt-talk] equal division of the octave in pop songs
Philip Ewell
pewell at hunter.cuny.edu
Sun Aug 29 19:15:06 PDT 2010
Mark:
Another great wholetone example is Stereolab's "Black Ants in Sound-
Dust" from Sound Dust. The piece is based on Scriabin's Mystic Chord
(I verified this with Tim Gane via the band's manager, Martin Pike, a
few years back), which is of course 5 of 6 notes from the wholetone
scale. Beginning with a clearly arpeggiated mystic chord on C4, the
piece then has an ascending bass-line wholetone scale from C3 to C4,
stated three times. For the fourth statement, the G# switches to A,
thus turning the wholetone scale into the mystic chord that began the
piece. The same thing happens with a descending wholetone line as
well. A nice interplay between the chord and the scale, I should say.
And Regina Spektor has a nice wholetone scale, also with centric pitch
C, in "Twenty Years of Snow" from Begin to Hope. Works well with the
overall key of C major.
Best,
-Phil
Philip Ewell, Ph.D.
Assistant Professor of Music Theory
Hunter College and the Graduate Center
City University of New York
695 Park Ave
NY NY 10065
Work: 212-396-6253
pewell at hunter.cuny.edu
www.philipewell.com
On Aug 27, 2010, at 7:25 PM, arne0102 at umn.edu wrote:
>
> Hi everyone,
>
> I'm looking for examples of popular songs (any genre) that employ
> equal division of the octave.
>
> Thanks,
>
> Mark Arneson
> University of Minnesota
>
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