[Smt-talk] Pieces with improvisatory openings
donnadoyle
donnadoyle at att.net
Sun Oct 23 08:04:52 PDT 2011
Dear Mitch,
You might consider the Haydn Creation opening (plus, its extra-musical
implications).
Also, the Pathetique Sonata, Chopin's C#m Etude, Op 25.
If you're interested in tracing this phenomenon's historical origins,
a consideration would be recit/aria, which, for me, some later exx
(esp 19th c) seem to imitate.
Best regards,
Donna Doyle
Queens College, CUNY
Sent from my iPhone
---------------
On Oct 21, 2011, at 12:31 PM, Mitch Ohriner <mohriner at gmail.com> wrote:
> Hello Collected Wisdom and Beloved Scholars,
>
> I’m interested in studying the emergence of tempo from the perspecti
> ve of the listener. One viable case study for this phenomenon is the
> class of pieces that begin with short, improvisatory passages that
> precede more temporally patterned movements proper.
>
> This is slightly different than the phenomenon previously discussed
> on this list in which the most salient level of time-span
> organization is initially obscured in preference for a faster or
> slower rate (i.e., London’s “metric fakeout”).
>
> A paragon of what I’m looking for would be Chopin’s G-minor
> Ballade, Op. 23. I’ve also been directed to Schumann’s String
> Quartet No. 3, Op. 41, no. 3.
>
> Do you know of other tonal examples like these? I’ll take responses
> off-list unless they’re of general interest.
>
> Thank you for your thoughts and I look forward to seeing many of you
> at our Annual Meeting next week.
>
> Best regards,
>
> Mitch Ohriner
>
> mohriner at gmail.com
> Assistant Professor of Music Theory
> Shenandoah Conservatory
> Winchester, VA
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