[Smt-talk] Fwd: Re: the impossibility of listening

[Isaac Malitz]

A brief advertisement:

Over the last 7 years, I have had the opportunity to assimilate the main 
efforts in "experiential analysis". (I have also done my own pioneering 
work in this area).

It seems to me that any music analyst would benefit from being 
acquainted with the principal efforts in this area. It appears that 
almost all participants in this thread have indicated that at minimum, 
experiential analysis is an important supplement to note-based analysis. 
So why not find out what's going on ...

Anyone who is interested is invited to take a look at my website below - 
which is somewhat experimental, but which provides a lot of info in a 
quick read. Also, I am always interested in queries and discussions - 
one on one or in groups. Especially interesting and worthwhile is to 
analyze a specific work from an experiential point of view. I do this 
with specific procedure and vocabulary. Feel free to contact me via this 
forum or individually.


Isaac Malitz, Ph.D.
www.OMSModel.com
imalitz at rdic.com



Carolyn Abbate and Roger Parker: "...we wanted to write a book without 
reference to musical scores."
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