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<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT face="Times New Roman"
size=3>Dear List,</FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p><FONT face="Times New Roman"
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<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><FONT size=3><FONT face="Times New Roman">I
would like to ask about plagal cadence in 16th (and 15th) century music. What is
interesting to me is the fact that this cadence seems to escape the basic
cadential process of this kind of music: the progress from an imperfect to a
perfect consonance (usually major 6th to octave) in a two-voice framework
(usually proceeding stepwise by contrary motion), typically preceded by a
dissonance (the 7th as a suspension).<o:p></o:p></FONT></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><o:p><FONT face="Times New Roman"
size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><FONT size=3><FONT face="Times New Roman">I
have two main questions:<o:p></o:p></FONT></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><o:p><FONT face="Times New Roman"
size=3> </FONT></o:p></SPAN></P>
<UL style="MARGIN-TOP: 0cm" type=disc>
<LI class=MsoNormal
style="MARGIN: 0cm 0cm 0pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><SPAN
lang=EN-GB style="mso-ansi-language: EN-GB"><FONT size=3><FONT
face="Times New Roman">Does somebody know about theoretical explanations of
the plagal cadence in 16th century
music?<o:p></o:p></FONT></FONT></SPAN></LI></UL>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><o:p><FONT face="Times New Roman"
size=3> </FONT></o:p></SPAN></P>
<UL style="MARGIN-TOP: 0cm" type=disc>
<LI class=MsoNormal
style="MARGIN: 0cm 0cm 0pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt"><SPAN
lang=EN-GB style="mso-ansi-language: EN-GB"><FONT size=3><FONT
face="Times New Roman">Was plagal cadence seen as conclusive enough by itself
to end a work (since it is usually preceded by a more usual
cadence)?<o:p></o:p></FONT></FONT></SPAN></LI></UL>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><o:p><FONT face="Times New Roman"
size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><FONT size=3><FONT face="Times New Roman">(I
must say that I’m not an expert on 16th century music theory –though I´ve read
on the subject-, so forgive me if these are too simple
questions)<o:p></o:p></FONT></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><o:p><FONT face="Times New Roman"
size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><FONT size=3><FONT
face="Times New Roman">Thanks,<o:p></o:p></FONT></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB
style="mso-ansi-language: EN-GB"><o:p><FONT face="Times New Roman"
size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><FONT
face="Times New Roman">Cristobal Garcia-Gallardo<o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><FONT
face="Times New Roman">Conservatorio de Malaga
(Spain)<o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><A
href="mailto:garciagallardo@terra.es"><FONT face="Times New Roman"
size=3>garciagallardo@terra.es</FONT></A></P>
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