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<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Sandeep,<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Perhaps you already have this on your list, but I have found “</span><span
style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:black'>Locating
East Asia in Western Art Music”, edited by Everett and Lau (Wesleyan
Univ. Press 2004), to be quite fascinating and useful in this discussion.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:black'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:black'>Mark Hijleh, Houghton College (NY)</span><span style='font-size:
11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
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<p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span
style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>
smt-talk-bounces@societymusictheory.org
[mailto:smt-talk-bounces@societymusictheory.org] <b>On Behalf Of </b>matralab<br>
<b>Sent:</b> Wednesday, April 22, 2009 6:02 AM<br>
<b>To:</b> smt-talk Talk<br>
<b>Subject:</b> [Smt-talk] Theory of "Intercultural" Composition<o:p></o:p></span></p>
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<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal style='margin-bottom:12.0pt'>Dear Collective Wisdom<br>
<br>
could you help me with references to any (comprehensive / seminal / detailed)
(theoretical/ aesthetical/ analytical/ overview) publications in English or
French<br>
about contemporary (trans-/cross-/inter-/poly-/cultural) composition that one
must not be unaware of if thinking about the subject...<br>
<br>
I mean western art music composers such as Tan Dun, Frank Denyer, Takahashi
Yuji, Isang Yun, Liza Lim, Samir Odeh-Tamimi, Jean-Claude Eloy, Mochizuki
Misato , Hosokawa Toshio, Guo Wenjing, Xu Shuya, Jin Hi Kim, Chen Xiaoyong,
Younghi-Pagh Paan, Claude Vivier, Klaus Huber, Karlheinz Stockhausen, etc. - a
wide selection but I hope you get the drift.<br>
Publications after 2000 are preferred.<br>
<br>
I will give some lectures and analysis seminars this summer, and I already have
a small reading list, but as I am not a theoretician myself, and not really
well versed in the anglophone discourse (being more of German extraction) I may
have overlooked some essential reading.<br>
<br>
Thankful for any hint. Names of composer you consider seminal and who do not
appear in the list above are also welcome, if possible with contacts or
publishers.<br>
<br>
Best <br>
Sandeep Bhagwati<br>
Composer<br>
Canada Research Chair Inter-X Art<br>
Concordia University Montreal<br>
<br>
<br>
<br>
<br>
<o:p></o:p></p>
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