<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Dear Colleagues,<div>there is a progression (typical to early jazz like in Earl Hines) #ivø - iv - I (which presumably is a variation of IV - iv - I) where we also have a voice leading #4 - 4 - 3. </div><div>Is there any theoretical connection to the progression under discussion? On the one hand one could accept the #4 as a fundament of the (half-diminished) first chord. But on the other hand the connection would be more contiguous with a silently assumed 2 in the a fundament. And under this assumption we would end up close to V/V - iv - I.</div><div>best wishes</div><div>Thomas Noll</div><div><br></div><div><br></div><div><div>*********************************************************</div><div>Thomas Noll</div><div><a href="http://flp.cs.tu-berlin.de/~noll">http://flp.cs.tu-berlin.de/~noll</a></div><div><a href="mailto:noll@cs.tu-berlin.de">noll@cs.tu-berlin.de</a></div><div>Escola Superior de Musica de Catalunya, Barcelona </div><div>Departament de Teoria i Composició </div><div><br class="khtml-block-placeholder"></div><div>*********************************************************</div><div><br></div></div><div><br></div><div><br></div></body></html>