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A contemporary classic for large-scaled accelerando (9 minutes) is
Esa-Pekka Salonen "Helix". <br>
The work evokes a massive mathematical "thing" which
evolves/accelerates into oblivion.<br>
<br>
Salonen's comments:
<a class="moz-txt-link-freetext" href="http://www.esapekkasalonen.com/compositions.php?id=203">http://www.esapekkasalonen.com/compositions.php?id=203</a><br>
Some further analysis discussion (by myself):
<a class="moz-txt-link-freetext" href="http://www.omsmodel.com/music/main/docs/toc.htm">http://www.omsmodel.com/music/main/docs/toc.htm</a> goto item [B6]<br>
<br>
Isaac Malitz, Ph.D.<br>
Independent Researcher<br>
<a class="moz-txt-link-abbreviated" href="mailto:imalitz@rdic.com">imalitz@rdic.com</a><br>
<a class="moz-txt-link-abbreviated" href="http://www.omsmodel.com">www.omsmodel.com</a><br>
818-231-3965<br>
<br>
<br>
MICHAEL MORSE wrote:
<blockquote cite="mid:SNT112-W15D2F3CAB42CEEBE332814D0C80@phx.gbl"
type="cite">
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sure how large the 'large scale' has to be, but the last movement of
Bartók's <i>Music for Strings Percussion & Celesta </i>should
count. More briefly, but unforgettably, <i>Survivor from Warsaw</i>.<br>
<br>
MW Morse<br>
Trent<br>
<br>
> From: <a class="moz-txt-link-abbreviated" href="mailto:johannes.quint@web.de">johannes.quint@web.de</a><br>
> To: <a class="moz-txt-link-abbreviated" href="mailto:smt-talk@societymusictheory.org">smt-talk@societymusictheory.org</a><br>
> Date: Sun, 11 Oct 2009 11:53:43 +0200<br>
> Subject: [Smt-talk] accellerandi-pieces<br>
> <br>
> dear list,<br>
> i am lookink for pieces with large-scaled accellerandi, either <br>
> incremental (as in carmens 'danse boheme') or stepless, either via
<br>
> tempo-modification or via rhythm-change.<br>
> <br>
> thanks a lot for help.<br>
> <br>
> johannes quint<br>
> _______________________________________________<br>
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>
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