<div>My dissertation, "The Modes in the Music of Beethoven, Brahms, and Schumann" (Yale University, 2000), discusses numerous examples from the music of those composers.</div>
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<div>Nicole</div>
<div>__________________</div>
<div>Nicole Biamonte</div>
<div>Assistant Professor of Music Theory</div>
<div>University of Iowa School of Music</div>
<div><a href="mailto:nicole-biamonte@uiowa.edu">nicole-biamonte@uiowa.edu</a><br><br></div>
<div class="gmail_quote">On Tue, May 11, 2010 at 9:58 AM, Murphy, Scott Brandon <span dir="ltr"><<a href="mailto:smurphy@ku.edu">smurphy@ku.edu</a>></span> wrote:<br>
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<div><font face="Calibri, Verdana, Helvetica, Arial"><span style="FONT-SIZE: 11pt">Here’s a couple that come to mind: the end of Chopin’s Mazurka op. 41/2 features E-Phrygian, and the Dance of the Mountain King’s Daughter from Grieg’s <i>Peer Gynt </i>uses the Lydian mode on various tonic pitches.<br>
<br>-Scott<br><font color="#888888"><br>-- <br>Scott Murphy<br>Associate Professor of Music Theory<br>University of Kansas School of Music<br><a href="http://smurphy@ku.edu" target="_blank">smurphy@ku.edu</a></font>
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<div class="h5"><br><br><br><br>on 5/10/10 11:50 AM, Timothy Cutler at <a href="http://tsc10@case.edu" target="_blank">tsc10@case.edu</a> wrote:<br><br></div></div></span></font>
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<div class="h5">Hi everyone,<br> <br>I'm looking for classical and romantic pieces that feature modal pitch collections, such as the lydian mode used in Beethoven op. 132 and Chopin op. 24 no. 2. Do you have any suggestions? Thanks very much!<br>
<br>Tim Cutler<br>Professor of Music Theory<br>Cleveland Institute of Music<br><a href="http://timothy.cutler@case.edu" target="_blank">timothy.cutler@case.edu</a><br><br></div></div>
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