<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I forgot to add the following to point 11:<div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10px/normal 'Times New Roman'; "><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><b><br></b></span></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10px/normal 'Times New Roman'; "><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><b>This is not just a matter of identifying scales. Dissonant tritones in the flow of a piece of music tell you a lot about its harmonic sequences. They tend to appear at nodal points in the harmony. Before such points, harmony tends to explore the current tonic scale without resolution. After them, one of two things is likely to occur, either resolution to the current tonic, or change to a different tonic scale (a different kind of scale for the same tonic or the same kind of scale for a different tonic).</b></span></font></div><div> <br><div>
<div>R.J.A. Buhr</div><div>1150 Lombard St. #21</div><div>San Francisco CA 94109</div><div><a href="mailto:rjabuhr@gmail.com">rjabuhr@gmail.com</a></div><div><br></div><br class="Apple-interchange-newline">
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