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<p class=MsoNormal>Richard Hermann wrote:<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
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<p class=MsoNormal>"Another mildly related situation occurs with dyadic
definitions of dissonance such as "The Perfect 5th is a consonance."
However, in a six-five chord a perfect fifth usually represents the dissonant chordal
seventh in 18th- and 19th-century music. Atomistic and rigid definitions and
perceptions seem to run into difficulties when applied to phenomena in
the wild. They do have the mixed blessing of being easy to teach and learn.<o:p></o:p></p>
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<p class=MsoNormal><o:p> </o:p></p>
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<p class=MsoNormal>But isn't the statement "the (chordal) seventh is
dissonant" equally "atomistic" and "rigid"?<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Eytan Agmon<o:p></o:p></p>
<p class=MsoNormal>Bar-Ilan University<o:p></o:p></p>
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