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<P><FONT size=2>I am delighted to see the flourishing discussion about conflicts between musical information imparted visually in standard notation and various tools of theoretical analysis, and musical information imparted purely through the ear. In the Nov./Dec issue of Chamber Music Magazine in "Experiments of a Chamber Music Coach" (pp 46-49) I describe a program I inaugurated at Mannes in 1975, inspired by Viktor Zuckerkandl's work on the subject.</FONT> </P>
<P><FONT size=2>I would love to have coffee with anyone attending the conference who shares interest in or is curious about his extraordinary work.</FONT></P>
<P><FONT size=2>Nancy Garniez</FONT></P>
<P>http://nancygarniez.blogspot.com <BR>www.tonalrefraction.com</P></body></html>