<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times"><span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif">Ira, you might want to have a look at </font></span><span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif">Richard Kurth's “Dis-Regarding Schoenberg’s Twelve-Tone Rows: An Alternative Approach to Listening and Analysis for Twelve-Tone Music.” </font></span><i><span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif">Theory and Practice </font></span></i><span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif">21 (1996): 79-122.</font></span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times"><span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif"><br></font></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times">
<span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif">Regards,</font></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times"><span class="Apple-style-span" style="font-size: small; font-family: arial, helvetica, sans-serif; ">Laurel Parsons</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times"><span class="Apple-style-span" style="font-size: small;"><br></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: arial; ">---</span></span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: arial; "><br></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Times">
<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: arial; ">Laurel Parsons, Ph.D.<br>Co-ordinator, Humanities Division<br>Quest University Canada<br>3200 University Blvd.<br>
Squamish, BC<br>VB8 0N8<br><a href="mailto:laurel.parsons@questu.ca" target="_blank">laurel.parsons@questu.ca</a><br><a href="http://www.questu.ca" target="_blank">www.questu.ca</a></span></span></p><br><div class="gmail_quote">
On Fri, Feb 25, 2011 at 12:24 PM, braus <span dir="ltr"><<a href="mailto:braus@hartford.edu">braus@hartford.edu</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Dear SMT Members,<br>
<br>
Can someone recommend a study/studies on the perception<br>
of serial order in chordal segmentations of a row. Any<br>
and all sources are welcome -- analysis, music cognition,<br>
composer commentaries.<br>
<br>
Thanks,<br>
<br>
Ira Braus<br>
(Hartt School)<br>
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</blockquote></div><br><br clear="all"><br>-- <br><br><br>