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<font face="Calibri">I spent some time wondering about Wikipedia
entries about Schenkerian analysis in various languages; I'll
restrict my comments to the English version of the article
"Schenkerian analysis"
(<a class="moz-txt-link-freetext" href="http://en.wikipedia.org/wiki/Schenkerian_analysis">http://en.wikipedia.org/wiki/Schenkerian_analysis</a>); see also the
discussion about the article
(<a class="moz-txt-link-freetext" href="http://en.wikipedia.org/wiki/Talk:Schenkerian_analysis">http://en.wikipedia.org/wiki/Talk:Schenkerian_analysis</a>).<br>
<br>
Wikipedia's authorities (whoever or whatever that is) state from
the start that "</font>This article <b>needs attention from an
expert on the subject</b>". Now, I think that the article did get
the attention of several "experts" of various ranks (some of them
real experts). I would disagree with many of them, even among the
"real" ones, though, starting with the one who claimed that "The
[Schenkerian] analysis is demonstrated through reductions of the
music": Schenker, indeed, demonstrated most of his analyses through
<i>generation </i>of the music, not through reductions. But
Wikipedia obviously is not the place to discuss such matters
(Smt-talk <u>is</u>, on the other hand: read this as an invitation
;-). My disagreement arises, I believe, from the fact that I did not
learn Schenker in the American context - a point worth discussing
all by itself, but not on Wikipedia.<br>
<br>
We, music theorists, certainly cannot leave such things in the hands
of amateurs, and we <b>must</b> do something, if only because our
students will read Wikipedia and will take it as a basis to judge
our teaching. Let me however warn against some problems inherent in
the functioning of Wikipedia, which deserve consideration:<br>
– the impossibility to solve, on Wikipedia, problems that we did not
first solve among ourselves. We may have many constructive reasons
to disagree; expressing them on Wikipedia, however, will lead us
nowhere and will only make us ridiculous us in a larger readership.
Wikipedia certainly is not the place to argue against each other –
even if it may be the place where to publish the terms of a polite
disagreement.<br>
– the (illusory) anonymousness of Wikipedia contributions: it is
very much against the usages of our scholarly community. I cannot
see any reason to hide ourselves while contributing, especially in
fields where we can rightly consider ourselves experts (I did it
myself, publish anonymously, and I wonder now why). The matter is
not one of making use of the argument of authority, but of knowing
at what level one is discussing, and with whom.<br>
– nothing said on Wikipedia can ever be withdrawn. I recently wrote
on Wikipedia about a matter in which I should never have gotten
involved. When the affair turned out to become defamatory, with
libelous quotations published in the press outside Wikipedia, I
tried merely to remove all my (few) Wikipedia contributions on the
topic: this was refused by a well-intentioned guy who apparently
considers himself a Wikipedia authority because he is a regular
contributor. And when I tried to explain that Wikipedia itself might
get involved in a lawsuit, I realized that there was <u>nobody</u>
in charge at the other end of the line. Wikipedia strongly organized
its own irresponsibility, delegating it to unaware naive volunteers:
this will be of little consequence in most cases, but it must be
kept in mind.<br>
<br>
I do believe, with Bob Kosovsky, that we cannot remain passive in
front of the Wikipedia project. But I believe that we must impose on
it some of our justified usages, mainly that of taking the
responsibility for what we write, by refusing anonymousness and
irresponsibility – at least between us scholars.<br>
<br>
Cordialement,<br>
<br>
Nicolas Meeùs<br>
<a class="moz-txt-link-abbreviated" href="mailto:nicolas.meeus@paris-sorbonne.fr">nicolas.meeus@paris-sorbonne.fr</a><br>
<font face="Calibri"><br>
<br>
<br>
</font><br>
Le 14/07/2011 21:00, Soderberg, Stephen a écrit :
<blockquote
cite="mid:44F23664686AA6498ECBAD680E8C222B1608429531@LCXCLMB02.LCDS.LOC.GOV"
type="cite">
<pre wrap="">This is about pros & cons.
In general I support Bob's points and I agree that, love it or hate it, Wikipedia is going to continue to be around in one form or another from now on. I was interested to know how other disciplines rate it and (after a bit of Googling (heh)) found this:
<a class="moz-txt-link-freetext" href="http://blogs.nature.com/wp/nascent/2005/12/comparing_wikipedia_and_britan_1.html">http://blogs.nature.com/wp/nascent/2005/12/comparing_wikipedia_and_britan_1.html</a>
which, of course, doesn't necessarily represent a recent consensus within the science community, but still it was an interesting test.
But back to music. Yes, I use it also, mostly for quick bios and kickstarts for bibliographies -- with extreme caution, a lot of caveats, and occasional minor threats to my sanity (see below). (Will there now be a rush to join me at the front of the room to take the pledge: "Hi. My name is [state your name] and I'm a Wikipedia user." OK, maybe not.)
The choices for the teacher would seem to be (a) ignore it, (b) forbid your students to use it, or (c) teach them when and how to best use it. (a) is impossible, and good luck with (b). Before you can do (c) you have to use it yourself and take some responsibility by correcting it yourself when you see misleading or incomplete information or outright errors. This can involve getting in some fights (click on a "view history" to experience some of this without getting involved yourself). So admittedly, I have avoided going there -- but maybe it's time to start.
Still, one recent theory example that makes me inclined to stay away ...
A few weeks ago I somehow got it into my head to see if Wikipedia had anything at all on "dual inversions." Just curious. And it did not, which is no real problem -- this is no earth-shattering omission. Since it's in the literature, I could legitimately have started an article, but I do have other projects & I'm lazy. But while there, I wondered what there was on "z-related sets" -- well, there wasn't a separate article but it took me to the article entitled "interval vector." Here things got interesting, because if I DID choose to initiate an article on dual inversion, I would have to relate it to the already established article on interval vectors. Now, there is nothing exactly "wrong" in that article, but the terminology and viewpoint is skewed in ways that give me a problem that goes beyond my own merely personal terminology preferences. For one thing, "interval vector" is linked right away in the first paragraph to Schuijer's more recent term "Absolute Pitch
Inte
rval Class Vector" (APIC vector), and the entire article seems to have been written from the viewpoint of Schuijer's book. Now there is nothing "wrong" with this, except it now captures the term "interval vector" as something pitch-specific, thereby making its usage in analyzing rhythmic structures more than confusing to both students and teachers as well as the general interest public -- and it also makes it nearly impossible for me to generalize even further in ways that I think would make an interesting, provocative, accurate article on dual inversions. The whole topic of homotopy is much larger and important than a musical classification of pc sets in 12tet or microtonal applications. But that's another day.
Steve Soderberg
Music Division
Library of Congress
-----Original Message-----
From: <a class="moz-txt-link-abbreviated" href="mailto:smt-talk-bounces@lists.societymusictheory.org">smt-talk-bounces@lists.societymusictheory.org</a> [<a class="moz-txt-link-freetext" href="mailto:smt-talk-bounces@lists.societymusictheory.org">mailto:smt-talk-bounces@lists.societymusictheory.org</a>] On Behalf Of <a class="moz-txt-link-abbreviated" href="mailto:kos@panix.com">kos@panix.com</a>
Sent: Thursday, July 14, 2011 11:56 AM
To: <a class="moz-txt-link-abbreviated" href="mailto:smt-talk@societymusictheory.org">smt-talk@societymusictheory.org</a>
Subject: [Smt-talk] Music theory on Wikipedia
Those of you who read my posts on AMS-L (the email discussion list of the American Musicological Society) might recall that I and a few others are enthusiastic about harnessing the power of Wikipedia for our disciplines.
As a librarian, I tend not to think of Wikipedia as a resource except for hard-to-find people or topics which are not covered in standard reference sources. (Confession: I do contribute articles on topics which I don't find sufficiently covered elsewhere.)
But I am in the minority. As recent discussions at the American Library Association have revealed, after Google, Wikipedia is one of the 5 most used resources on the web throughout the world.
Some of us may find it difficult to understand that people born into a world where the Internet is a given will not think of consulting Grove/Oxford, MGG or other reference works first, second, or third. They will first go to Google and Wikipedia. Many people know that good Wikipedia articles supply a good list of sources -- and it is these notes & bibliographies that launch people on their research - not the bibliographies in Grove/Oxford.
Where does that leave us, the music theory community? We can either choose to ignore it - which I tend to feel will increasingly marginalize us. Or we can choose to engage it, which I feel can benefit those involved in music theory in numerous ways.
Someone had started a "WikiProject Music theory" basing the project template on other such projects:
<a class="moz-txt-link-freetext" href="http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Music_theory">http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Music_theory</a>
(See also the discussion page)
When it was found that the founder was plagierizing articles, he was banned. So despite stil having a few members, the project is dormant, waiting for energetic individuals to climb aboard and create/improve articles on music theory.
It seems to me to be a great opportunity for subscribers of SMT-TALK to contribute content to Wikipedia. In so doing, music theory has an opportunity to raise its standing among humanities.
Bob Kosovsky, Ph.D. -- Curator, Rare Books and Manuscripts, Music Division, The New York Public Library for the Performing Arts
blog: <a class="moz-txt-link-freetext" href="http://www.nypl.org/blog/author/44">http://www.nypl.org/blog/author/44</a> Twitter: @kos2
Listowner: OPERA-L ; SMT-TALK ; SMT-ANNOUNCE ; SoundForge-users
--- My opinions do not necessarily represent those of my institutions ---
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