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analyses</title></head><body>
<div>You might also take a look at my article, "Recurrence, Level
Organization,</div>
<div>and Collection Interaction in Three Piano Preludes by Debussy"
in<i> Indiana</i></div>
<div><i>Theory Review</i> 22/2 (Spring, 2003).</div>
<div><br></div>
<div>Best,</div>
<div><br></div>
<div>Kip</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div>At 8:30 AM +0300 9/20/11, Olli Väisälä wrote:</div>
<blockquote type="cite" cite>
<blockquote type="cite" cite>Since I have not recieved any replies to
my query concerning analytical literature for Ibert, I will broaden my
question. Does anyone know of any especially good analytical
literature on Debussy's Preludes? Any suggestions concerning
analytical literature for Debussy are appreciated, however, I am
particularly interested in the Preludes. Please reply to <a
href="mailto:williamwaldroup@my.unt.edu">williamwaldroup@my.unt.edu</a
></blockquote>
<blockquote type="cite" cite><br></blockquote>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>As William asked
for "especially good analytical literature on Debussy's
Preludes," I hope it is not too boastful to recommend some of my
own papers:</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>(1) "New Theories and Fantasies on
the Music of Debussy: Post-Triadic Prolongation in<i> Ce qu'a vu le
vent d'ouest</i> and Other Examples." In<i> Selected Essays from
the Third International Schenker Symposium</i>, ed. Allen Cadwallader.
Hildesheim: Georg Olms, 2006.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>(2) Containing an analysis of<i>
Voiles</i>: "Prolongation of Harmonies Related to the Harmonic
Series in Early Post-Tonal Music".<i> Journal of Music Theory</i>
Vol. 46 (2002), 207-283.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>(3) On another piano work: "On the
Coordination of Tonal Functions, Pitch Sets, Meter, and Form in<i>
L'Isle joyeuse</i> by Debussy." In<i> A Composition as a Problem:
Proceedings of a conference on music theory, Tallin, May 16-17,
1996</i>, ed. Mart Humal. Tallinn: Eesti Muusikaakademia,
1997.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>(There are several more, but they are in
Finnish, which some of you may not know well enough...
;-)</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>With best regards,</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Olli Väisälä</blockquote>
<blockquote type="cite" cite>Sibelius Academy, Helsinki</blockquote>
<blockquote type="cite" cite><a
href="mailto:ovaisala@siba.fi">ovaisala@siba.fi</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br>
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<div><br></div>
<div><br></div>
<x-sigsep><pre>--
</pre></x-sigsep>
<div>Kip Wile, Ph.D.<br>
Faculty, Department of Music Theory<br>
Peabody Conservatory of Music of<br>
The Johns Hopkins University</div>
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