<html><body><div style="color:#000; background-color:#fff; font-family:times new roman, new york, times, serif;font-size:12pt"><div><span>Not exactly what you asked for, but in popular music it's not too odd to find CM-BM-CM (possibly with extensions). Brenda Lee's "I'm Sorry" (1960) is a famous example.</span></div><div><span></span> </div><div><span>Best,</span></div><div><span>Chris</span></div><div> </div><div>--<br>Christopher Doll<br>Assistant Professor<br>Department of Music<br>Mason Gross School of the Arts<br>Rutgers, The State University of New Jersey<br></div><div style="font-family: times new roman, new york, times, serif; font-size: 12pt;"><div style="font-family: times new roman, new york, times, serif; font-size: 12pt;"><font size="2" face="Arial"><div style="margin: 5px 0px; padding: 0px; border: 1px solid rgb(204, 204, 204); height: 0px; line-height: 0; font-size: 0px;" class="hr" contentEditable="false"
readonly="true"></div><b><span style="font-weight: bold;">From:</span></b> "Murphy, Scott Brandon" <smurphy@ku.edu><br><b><span style="font-weight: bold;">To:</span></b> SMT Talk <smt-talk@societymusictheory.org><br><b><span style="font-weight: bold;">Sent:</span></b> Friday, October 7, 2011 12:00 AM<br><b><span style="font-weight: bold;">Subject:</span></b> [Smt-talk] Looking for a chord progression<br></font><br>
Collective wisdom, do you know of, and, if so, are you willing to share, an example of a clear and deliberate CM: CM-Bm-CM progression or a transposition of such a progression in music after 1800 (double leading-tone cadences from the Medieval period need not apply)? Chordal inversion of any or all of these chords is fine. A transposition of the minor version (Cm: Cm-Bm-Cm) would also be acceptable, as would the last two-thirds of either progression.<br><br>Thanks!<br><br>Scott<br><br>--<br>Scott Murphy<br>Associate Professor, Music Theory<br>University of Kansas School of Music<br><a href="mailto:smurphy@ku.edu" ymailto="mailto:smurphy@ku.edu">smurphy@ku.edu</a><br><br>P.S. I'm prepared to handle examples where a "neighborly" bass goes 1-2-1. :-)<br><br>_______________________________________________<br>Smt-talk mailing list<br><a href="mailto:Smt-talk@lists.societymusictheory.org"
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