<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><font class="Apple-style-span" size="4">Hi Jason,</font></div><div><font class="Apple-style-span" size="4"><br>There's a neighboring 6/4 decorating the subdominant in m. 11 of "La Paix" from Handel's Music for the Royal Fireworks.<br><br>Best,<br>Dan Zimmerman<br>U. of Maryland, College Park<br></font><br><br></div><br><div><div>On Feb 1, 2012, at 10:23 AM, Solomon, Jason wrote:</div><div><br></div><br><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font>
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I am also looking for instances of the leading-tone triad serving as a neighbor (or, pedal) six-four to IV: IV - viio6/4 - IV. Here, I am primarily interested in either the leading-tone triad alone or one with a m7 added to produce the diatonic, half-diminished LT7. (The fully-diminished LT7 in this context could be analyzed as a common-tone diminished seventh chord, and I have plenty of examples of this).</font><br>
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Thanks in advance for any suggestions that you might have to offer!</font><br>
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Best wishes,</font><br><font class="Apple-style-span" face="Cambria" size="4">
Jason</font><br>
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--</font><br><font class="Apple-style-span" face="Cambria" size="4">
Jason W. Solomon, Ph.D.</font><br><font class="Apple-style-span" face="Cambria" size="4">
Assistant Professor of Music Theory</font><br><font class="Apple-style-span" face="Cambria" size="4">
Department of Music</font><br><font class="Apple-style-span" face="Cambria" size="4">
Agnes Scott College</font><br><font class="Apple-style-span" face="Cambria" size="4">
Office: Presser 101</font><br><font class="Apple-style-span" face="Cambria" size="4">
404-471-6261</font><br>
<font color="#0000FF" style="font-family: Cambria; font-size: 11pt; "><u><a href="x-msg://46/jsolomon@agnesscott.edu">jsolomon@agnesscott.edu</a><br>
<a href="http://www.agnesscott.edu/">http://www.agnesscott.edu</a></u></font>
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