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<!--StartFragment--><p class="MsoNormal">I think we can all agree that cleaning up one’s workspace
has great merit. Today I was organizing the books in my professional library
and decided to address my sizable collection of music theory texts. In doing so
I came across Tchaikovsky’s <i style="mso-bidi-font-style:normal">Guide to the
Practical Study of Harmony</i> and was struck by the thinness of the book
relative to the other volumes on the same shelf. It gave me pause to reflect on
the very nature of music theory instruction and I wondered whether anyone ever
really learned music theory from a textbook. These days our esteemed college
textbook publishers are offering us weighty tomes that very often range between
600 to more than 900 pages. They are certainly impressively complete but I
wonder whether they make better reference sources than practical manuals. I
know if I were a student I wouldn’t want to have to carry around a hard cover
book that weighs several pounds and seems to contain more information than I
really need. I wonder why it was that Tchaikovsky felt that 137 pages of
instruction was sufficient for his conservatory students when today’s authors
burden the musical neophyte with five times that many pages.<o:p></o:p></p><p class="MsoNormal">Back in the 1970s three of the members of our theory faculty
(David Bushler, Joel Lester, and Stan Persky) cobbled together a 50-page guide
they called <i style="mso-bidi-font-style:normal">The Materials of Harmonic
Analysis </i>that was published in-house. Its humble goal was to merely introduce
the materials and concepts of music theory and it served us well for many
years. Each of the instructors in the department added their own supplements at
each level of instruction. Joel went on to expand that book into his own
660-page two-volume set. Years later I did the same thing but limited my
attempt to 235 pages. I have always felt that our trio of professors,
Tchaikovsky, and Rimsky-Korsakov (<i style="mso-bidi-font-style:normal">Practical
Manual of Harmony</i>, 128 pages) were on the right track. Beginning music
theory students need a kind of <i style="mso-bidi-font-style:normal">Michelin
Guide</i> that is compendious rather than encyclopedic because they need
something they can comfortably carry with them as they go through their day.
Hopefully it won’t cost an arm and a leg. In contrast, I believe the important, monumental
reference works serve best sitting on a shelf at home not far from my desk.<o:p></o:p></p><p class="MsoNormal">A great deal of the weight and expense in the average book
is caused by the inclusion of hundreds of examples that are merely fragments
from larger works. Looking at a 4, 8, or 12-measure snippet taken from the
middle of some famous piece may not be the best way to get students to really
understand anything significant about the construction of music. Taken out of
context these examples always remind me of a leopard in a cage at the zoo, and,
like the boy in the Ives song, I wonder whether real music is anything like
that.<o:p></o:p></p><p class="MsoNormal">I would love to know what you think and have experienced in
your career as music student and teacher. Personally, I find that reading
theory textbooks is a narcoleptic experience. I suspect that the most effective
instruction comes from the analysis of complete scores and from the challenges
of a properly sequenced workbook.<o:p></o:p></p>
<!--EndFragment--><div>
<span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Garamond; font-size: 18px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Garamond; font-size: 18px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Garamond; font-size: 18px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Garamond; font-size: 18px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Prof. Stephen Jablonsky, Ph.D.</div><div>Music Department Chair</div><div>The City College of New York</div><div>160 Convent Avenue S-72</div><div>New York NY 10031</div><div>(212) 650-7663</div></div></span></span><br class="Apple-interchange-newline"></span></span></span><br></span>
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