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<FONT face=Verdana>Dear Professor Rohr,</FONT><BR>
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<FONT face=Verdana>First, I congratulate you for your project of getting your students to discover writings about music of the highest quality. Your students are very lucky indeed! </FONT><FONT face=Verdana>Here is my modest contribution to your invitation.</FONT><BR>
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<FONT face=Verdana>To me, the two main books by Charles Rosen, <EM>The Classical Style</EM> (2nd Edition, Norton 1995) and <EM>The Romantic Generation</EM> (Harvard 1995) reach a rare level of perfection as examples of writing of substance about music. <EM>The Romantic Generation</EM> is especially significant, with its constant influx of ideas from literature and art history, including a broad spectrum of texts in different languages. It is also notable for the abundance of musical examples, carefully scrutinized and connected to their literary and philosophical underpinings. And the prose style is consistently elegant.</FONT><BR>
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<FONT face=Verdana>I would also suggest a slightly more recent publication: <EM>Bach and the Meanings of Counterpoint</EM>, by David Yearsley (Cambridge UP 2002). The topic is narrower than in the Rosen books, but the recreation of the intellectual, spiritual and artistic context in which Bach was working is lively and impressive. Here again the musical examples are abundant and their analysis is entirely to the point. The quality of the style makes for satisfying reading, if not always easy, because of the very nature of the topics broached and of the sources quoted.</FONT><BR>
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<FONT face=Verdana>I hope that this is useful. Congratulations, again, and best of luck in your quest.</FONT><BR>
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<FONT face=Verdana>Paul Cadrin<BR><EM>Musicologue sans frontières<BR>Montréal (Québec) Canada</EM></FONT><BR> <BR>
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From: drohr@skidmore.edu<BR>To: smt-talk@societymusictheory.org<BR>Date: Mon, 7 May 2012 20:20:51 +0000<BR>Subject: [Smt-talk] examples of great prose in music scholarship<BR><BR>
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I would like to tap the assembled wisdom on this list as I plan a course for music majors on writing about music. The course will emphasize prose style, and will note some of the parallel properties of music and prose. Among the aspects we will consider are clarity and economy, rhythm and pacing, beauty of sound, logical development of ideas, and persuasive argumentation. I am interested in collecting examples--books, articles, or even short passages--from any branch of music scholarship or criticism that have appealed to you specifically for the beauty and/or power of the prose. Thank you for sending along your suggestions, and if anyone would like a copy of the completed list, I would be happy to share it.<BR>
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Deborah Rohr<BR>
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Associate Professor<BR>
Department of Music<BR>
Skidmore College<BR>
Saratoga Springs, NY<BR>
12866<BR>
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<BR></DIV><BR>_______________________________________________ Smt-talk mailing list Smt-talk@lists.societymusictheory.org http://lists.societymusictheory.org/listinfo.cgi/smt-talk-societymusictheory.org</DIV> </div></body>
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