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<font face="Calibri">The solmisation syllables have long been used,
in the French tradition, as ...solmisation syllables. The
conversion to fixed-do solfège, in France, was not performed
before the middle or the second half of the 18th century.
Movable-do remained in (diminishing) usage at least until the
creation of the Paris Conservatoire around 1798.<br>
<br>
Several French-speaking pedagogies today make use of the Kodály
method (including movable-do), especially for young children. See
for instance <a class="moz-txt-link-freetext" href="http://www.kodaly.fr/">http://www.kodaly.fr/</a>. <br>
<br>
</font>Nicolas Meeùs<br>
Université Paris-Sorbonne<br>
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<div class="moz-cite-prefix">Le 11/07/2012 10:27, Thomas Noll a
écrit :<br>
</div>
<blockquote
cite="mid:F7162890-F4B2-44C2-B3D0-55211B1E3D6D@cs.tu-berlin.de"
type="cite">Dear Colleagues,
<div>the conversion of the medieval solmisation syllables into
note names in the Romance tradition corresponds to a preference
for fixed-do solfège practice. <br>
<div>Movable-Do proponents would perhaps need to introduce
alternative syllables in order to avoid confusion with the
note names. Is there an established Movable-Do subculture
somewhere within the Romance tradition?</div>
<div>Sincerely<br>
<div>
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class="Apple-style-span" style="border-collapse:
separate; color: rgb(0, 0, 0); font-family: Helvetica;
font-size: 12px; font-style: normal; font-variant:
normal; font-weight: normal; letter-spacing: normal;
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<div>Thomas Noll<br
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<br>
<div>
<div>*********************************************************</div>
<div>Thomas Noll</div>
<div><a moz-do-not-send="true"
href="http://user.cs.tu-berlin.de/%7Enoll">http://user.cs.tu-berlin.de/~noll</a></div>
<div><a moz-do-not-send="true"
href="mailto:noll@cs.tu-berlin.de">noll@cs.tu-berlin.de</a></div>
<div>Escola Superior de Musica de Catalunya,
Barcelona </div>
<div>Departament de Teoria i Composició </div>
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</div>
<div>*********************************************************</div>
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