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--></style>Kevin,<br><br>I don't know of any time-point series in "All Set" (I think the time points came slightly later), but there are real experts out there who may know differently. I do know it uses a digital articulation series, by which a given eighth-note attack is either active (1) or not (0), the same system used in Semi-Simple Variations. This series is presented in the drums in mm. 9-16
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mm. 17-24 (all drums together)<style>
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<span style="font-size:12.0pt;font-family:Cambria;
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mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA"><0100,0001/1101,1111/0111,1010/0110,1100/0011,1001/1000,0101/1011,1110/0000,0010></span>. I've never figured out what the bass drum is doing in mm. 25-32; I've meant to ask the SMT list about it, but never got around to it until now.<br><br>Much, if not all, of this analysis is in Andrew Mead's book. I'm sure he and others have deeper and fuller analyses they might be willing to share.<br><br>Best,<br>Chris<br><div> </div><div>--<br>Christopher Doll<br>Assistant Professor<br>Department of Music<br>Mason Gross School of the Arts<br>Rutgers, The State University of New Jersey<br></div> <div style="font-family: times new roman, new york, times, serif; font-size: 12pt;"> <div style="font-family: times new roman, new york, times, serif; font-size: 12pt;"> <div dir="ltr"> <font face="Arial" size="2"> <hr size="1"> <b><span style="font-weight:bold;">From:</span></b> Kevin
Holm-Hudson <kjholm2@gmail.com><br> <b><span style="font-weight: bold;">To:</span></b> smt-talk@lists.societymusictheory.org <br> <b><span style="font-weight: bold;">Sent:</span></b> Wednesday, December 19, 2012 2:39 PM<br> <b><span style="font-weight: bold;">Subject:</span></b> [Smt-talk] Time-point series for Babbitt, "All Set"?<br> </font> </div> <br>
Dear Collective Wisdom,<br><br>I am considering using Milton Babbitt's 1957 composition for jazz<br>ensemble, "All Set," in a graduate class next semester. A web article,<br><a target="_blank" href="http://hunsmire.tripod.com/music/allset.html,">hunsmire.tripod.com/music/allset.html,</a> mentions that the work is<br>Babbitt's first to serialize rhythm according to "time point sets,"<br>but it does not specify what the series is.<br><br>Looking at the score, I have spotted P0 (in the brasses) and I7 (in<br>the saxes) easily enough... but those two parts do not appear to use a<br>corresponding (strict) time-point series. Quantifying the attacks in a<br>time-grid of eighth notes, the I7 time-point series would appear to be<br><3, 5, 11, 6, 1, 4, 3, 9, 11, 4, 2, 2>, whereas the P0 time-point<br>series would appear to be <3, 5, 13, 1, 4, 10, 6, 11, 5, 1, 4, 1>.<br>Clearly the repetitions and missing numbers indicate I am looking in<br>the wrong
place.<br><br>Does anyone know? (I looked at the piano and vibes as well, which<br>contain R0 and RI7, but there are repeated attack-point values there<br>as well.) A shot in the dark, perhaps, but I thought it couldn't hurt<br>to ask.<br><br>Khh<br><br>-- <br>Dr. Kevin Holm-Hudson<br>Associate Professor, Music Theory<br>University of Kentucky<br>School of Music<br>465 Rose Street<br>105 Fine Arts Building<br>Lexington, KY 40506-0022<br><br>"Creativity has much to do with experience, observation and<br>imagination, and if any one of those key ingredients is missing, it<br>doesn't work." --Bob Dylan<br>_______________________________________________<br>Smt-talk mailing list<br><a ymailto="mailto:Smt-talk@lists.societymusictheory.org" href="mailto:Smt-talk@lists.societymusictheory.org">Smt-talk@lists.societymusictheory.org</a><br>http://lists.societymusictheory.org/listinfo.cgi/smt-talk-societymusictheory.org<br><br><br> </div> </div> </div></body></html>