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Dear all,<br>
<br>
I am looking for a short article or book chapter that provides a useful introduction to the analysis of recording production in popular music for pedagogical purposes. I know a fair amount of very good literature on this subject, but I haven't yet encountered a relatively succinct piece that lays out the issues one might need to consider, presents a descriptive and analytic vocabulary, and then perhaps undertakes a couple of case studies to demonstrate. I'm imagining something akin to John Covach's very fine "Form in Rock Music: A Primer." Suggestions off-list are welcome, and many, many thanks for your help.<br>
<br>
Best,<br>
Sumanth<br>
<br>
--<br>
Sumanth Gopinath<br>
Associate Professor of Music Theory<br>
School of Music, University of Minnesota<br>
<a href="tel:612.624.1829" value="+16126241829">612.624.1829</a> (office)<br>
<a href="mailto:sumanth@umn.edu">sumanth@umn.edu<br></a> </div></body>
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