<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hello,<div><br></div><div>My guess would be Burmeister's analysis of Lasso in his treatise Musica Poetica (1606), which is discussed in CHOWMUT as well as in Palisca's Studies in the History of Italian Music.</div><div><br></div><div>Megan Lavengood</div><div>PhD student, CUNY Graduate Center</div><div><a href="mailto:meganlavengood@gmail.com">meganlavengood@gmail.com</a></div><div><br><div><div>On Feb 14, 2013, at 8:35 AM, <a href="mailto:Mark.AnsonCartwright@qc.cuny.edu">Mark.AnsonCartwright@qc.cuny.edu</a> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><meta http-equiv="content-type" content="text/html; charset=utf-8"><div dir="auto"><div>Dear Michael,</div><div><br></div><div>Joel Lester discusses an analysis of a piece by Lully in an article in Spectrum (spring 1994). The analysis dates from circa 1700.</div><div><br></div><div>Best,</div><div>Mark</div><div><br></div><div>Mark Anson-Cartwright</div><div>Queens College & Graduate Center, CUNY</div><div><br>On Feb 14, 2013, at 8:02 AM, "Michael Morse" <<a href="mailto:mwmorse@bell.net">mwmorse@bell.net</a>> wrote:<br><br></div><blockquote type="cite"><div>
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Dear Colleagues,<div><br></div><div> Is there any consensus on what counts as the first piece of music analysis? What are the contenders?</div><div><br></div><div>Thnks,</div><div><br></div><div>Michael Morse</div><div><span style="font-size: 10pt;">Cultural Studies</span></div><div><span style="font-size: 10pt;">Trent University </span></div><div>Peterborough, Oshawa</div> </div>
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