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</o:shapelayout></xml><![endif]--></head><body lang=EN-US link=blue vlink=purple><div class=WordSection1><p class=MsoNormal><span style='color:black'>Did Tinctoris say anything about work of Dufay et al. that might count as an analysis?<o:p></o:p></span></p><p class=MsoNormal><span style='color:black'><o:p> </o:p></span></p><div><p class=MsoNormal><span style='font-family:"Calibri","sans-serif";color:black'>Richard A. Williamson, D.M.A.<o:p></o:p></span></p><p class=MsoNormal><span style='font-family:"Calibri","sans-serif";color:black'>Composer, Conductor, Arranger<o:p></o:p></span></p><p class=MsoNormal><span style='font-family:"Calibri","sans-serif";color:#365F91'><a href="http://www.richardwilliamsonmusic.com/"><span style='color:#365F91'>http://www.richardwilliamsonmusic.com</span></a><o:p></o:p></span></p><p class=MsoNormal><span style='font-family:"Calibri","sans-serif";color:black'>864-303-9489<o:p></o:p></span></p><p class=MsoNormal><span style='font-family:"Calibri","sans-serif";color:black'>500 Wright School Road<o:p></o:p></span></p><p class=MsoNormal><span style='font-family:"Calibri","sans-serif";color:black'>Belton, SC 29627<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:black'><img border=0 width=227 height=126 id="Picture_x0020_1" src="cid:image001.gif@01CE0A96.DE437CA0" alt=Logo><o:p></o:p></span></p></div><p class=MsoNormal><span style='color:black'><o:p> </o:p></span></p><div><div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'><p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> smt-talk-bounces@lists.societymusictheory.org [mailto:smt-talk-bounces@lists.societymusictheory.org] <b>On Behalf Of </b>Kyle Adams<br><b>Sent:</b> Thursday, February 14, 2013 9:05 AM<br><b>To:</b> Michael Morse<br><b>Cc:</b> smt-talk@societymusictheory.org<br><b>Subject:</b> Re: [Smt-talk] quick query<o:p></o:p></span></p></div></div><p class=MsoNormal><o:p> </o:p></p><div><p class=MsoNormal>I believe it may be Burmeister's analysis of Lasso's In Me Transierunt, which dates from 1606.<o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal>Best,<br><br>Kyle Adams<o:p></o:p></p><div><p class=MsoNormal>Associate Professor of Music Theory<o:p></o:p></p></div><div><p class=MsoNormal>Jacobs School of Music<o:p></o:p></p></div><div><p class=MsoNormal>Indiana University<o:p></o:p></p></div></div><div><p class=MsoNormal style='margin-bottom:12.0pt'><br>On Feb 14, 2013, at 7:48, Michael Morse <<a href="mailto:mwmorse@bell.net">mwmorse@bell.net</a>> wrote:<o:p></o:p></p></div><blockquote style='margin-top:5.0pt;margin-bottom:5.0pt'><div><div><p class=MsoNormal>Dear Colleagues,<o:p></o:p></p><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal> Is there any consensus on what counts as the first piece of music analysis? What are the contenders?<o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal>Thnks,<o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal>Michael Morse<o:p></o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>Cultural Studies</span><o:p></o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>Trent University </span><o:p></o:p></p></div><div><p class=MsoNormal>Peterborough, Oshawa<o:p></o:p></p></div></div></div></blockquote><blockquote style='margin-top:5.0pt;margin-bottom:5.0pt'><div><p class=MsoNormal>_______________________________________________<br>Smt-talk mailing list<br><a href="mailto:Smt-talk@lists.societymusictheory.org">Smt-talk@lists.societymusictheory.org</a><br><a href="http://lists.societymusictheory.org/listinfo.cgi/smt-talk-societymusictheory.org">http://lists.societymusictheory.org/listinfo.cgi/smt-talk-societymusictheory.org</a><o:p></o:p></p></div></blockquote></div></body></html>