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    <div class="moz-cite-prefix">Dear next new thing-ers:<br>
      <br>
      This all sounds cool -- but, in an obligatory old-guard reply --
      what's the rush?  Do we want to create a music theory-based TED
      world of sexy but not-road-tested (and in the case of most TED
      lectures, hopelessly, romantically, pie-in-the-sky) solutions that
      last as long as a Tweet?  Tonal Theory in ten Tweets?  Check out
      <a class="moz-txt-link-freetext" href="http://www.digitalculture.org/hacking-the-academy/conclusions/#conclusions-howard">http://www.digitalculture.org/hacking-the-academy/conclusions/#conclusions-howard</a>
      for cautions ("meet the new boss . . . "), and also check into
      Dilbert's attempts at working from home for more cautions on
      flipping classes -- and that's before online Netflix!! 
      (<a class="moz-txt-link-freetext" href="http://search.dilbert.com/comic/Working%20From%20Home">http://search.dilbert.com/comic/Working%20From%20Home</a>).  I'm an
      ipad-toting technology geek, but there's something to be said for
      a well-considered thought process.  And don't forget to check with
      your Provost on promotion requirements, which may not include
      "change the world by Tuesday."<br>
      <br>
      Otherwise, godspeed!<br>
      <br>
      Dave Headlam<br>
      <br>
      <br>
      On 7/1/13 3:54 PM, Kris Shaffer wrote:<br>
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      <div>Dear Colleagues,</div>
      <div>A new project has grown out of FlipCamp Music Theory, the
        unconference on the inverted music theory class that took place
        in Charleston last month. We are excited to solicit <span
          style="-webkit-composition-fill-color: rgba(175, 192, 227,
          0.230469); -webkit-composition-frame-color: rgba(77, 128, 180,
          0.230469); ">short essays (approx. 1500 words) on the subject
          of student-centered learning</span> for a crowdsourced ebook,
        <i>Engaging Students: Essays in Music Pedagogy</i>. Submissions
        are due <b>July 15, 2013</b>, and we hope to publish the
        complete volume online by August, in time for these essays to
        assist readers in their planning for fall courses. <i>Engaging
          Students</i> will serve as an open-access, web-based resource
        for those teaching college-level classes in music.</div>
      <div><br>
      </div>
      <div>
        <div id="mb">​We envision a new format for scholarly
          communication based upon collaborative and swift peer review.
          We take our inspiration from hack-a-thons, in which creative
          solutions to a problem emerge from working intensely together
          in a collaborative environment for a limited time, as well as
          the crowdsourced ebook, <i>Hacking the Academy</i>, and the
          open-access journal, <i>Hybrid Pedagogy</i>. You will receive
          feedback on your manuscript within a week of the submission
          deadline. The revision process will consist of efficient
          online interactions between you and the editorial group.</div>
        <div id="mb"><br>
        </div>
        <div id="mb">We are looking to combine essays of both a
          philosophical and practical nature on a wide range of topics
          relevant to the teaching of music at the university level. </div>
      </div>
      <div id="mb"><br>
      </div>
      <div id="mb">
        <div id="mb">​For more information on the project and
          instructions on how to submit, please visit the complete call
          for submissions on the FlipCamp Music Theory website: <a
            moz-do-not-send="true"
href="http://flipcampmt.wordpress.com/2013/07/01/call-for-submissions-engaging-students-essays-in-music-pedagogy/">http://flipcampmt.wordpress.com/2013/07/01/call-for-submissions-engaging-students-essays-in-music-pedagogy/</a>.</div>
        <div id="mb"><br>
        </div>
        <div id="mb">
          <div id="mb">​Thank you,</div>
          <div id="mb"><br>
          </div>
          <div id="mb">the editorial committee:</div>
          <div id="mb">Sean Atkinson, University of Texas–Arlington</div>
          <div id="mb">Carla Colletti, Webster University</div>
          <div id="mb">Philip Duker, University of Delaware</div>
          <div id="mb">Gretchen Foley, University of Nebraska–Lincoln</div>
          <div id="mb">Anna Gawboy, Ohio State University</div>
          <div id="mb">Stephen Gosden, University of North Florida</div>
          <div id="mb">Bryn Hughes, University of Miami, coordinator</div>
          <div id="mb">Enoch Jacobus, independent scholar, Berea,
            Kentucky</div>
          <div id="mb">Brian Moseley, Furman University</div>
          <div id="mb">Meghan Naxer, University of Oregon</div>
          <div id="mb">Deborah Rifkin, Ithaca College</div>
          <div id="mb">Kris Shaffer, University of Colorado–Boulder,
            coordinator</div>
        </div>
      </div>
      <div class="mailbox_signature">Kris Shaffer, Ph.D.<br>
        Instructor of Music Theory<br>
        University of Colorado–Boulder<br>
        kris.shaffermusic.com<br>
        Twitter: @krisshaffer</div>
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      <pre wrap="">_______________________________________________
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    <br>
    <br>
    <pre class="moz-signature" cols="72">-- 
Dave Headlam
Professor of Music Theory
Eastman School of Music
26 Gibbs St.
Rochester, NY 14604
<a class="moz-txt-link-abbreviated" href="mailto:david.headlam@rochester.edu">david.headlam@rochester.edu</a>
<a class="moz-txt-link-freetext" href="http://theory.esm.rochester.edu/dave_headlam">http://theory.esm.rochester.edu/dave_headlam</a></pre>
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