<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Dear Ildar,<br><div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span class="Apple-style-span" style="font-family: HelveticaNeue, 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 16px; ">Why in the West minor subdominant in major has been underrated?<span class="Apple-converted-space"> </span></span></span></blockquote></div><br><div>Has it? This at least not true for Leipzig (where I was born). Moritz Hauptmann's (1853) influential book "Die Natur der Harmonik und der Metrik: zur Theorie der Musik" spends considerable attention to the study of the "Moll-Dur-Tonart" quite in balance to the study of the "Moll-Tonart". This book predates Rimsky-Korsakov's (1886) Практический учебник гармонии by 33 years. In think, Hauptmann's thoughts are particularly valuable for the understanding of diatonicity in connection with alteration. This issue had been addressed by Dimitar and by Nicolas in recent mails.</div><div>Sincerely</div><div>Thomas Noll </div><div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div><br class="Apple-interchange-newline"><br><div><div>*********************************************************</div><div>Thomas Noll</div><div><a href="http://user.cs.tu-berlin.de/~noll">http://user.cs.tu-berlin.de/~noll</a></div><div><a href="mailto:noll@cs.tu-berlin.de">noll@cs.tu-berlin.de</a></div><div>Escola Superior de Musica de Catalunya, Barcelona </div><div>Departament de Teoria i Composició </div><div><br class="khtml-block-placeholder"></div><div>*********************************************************</div></div></div></div><div><br></div></div></span><br class="Apple-interchange-newline"></div><br class="Apple-interchange-newline"><br class="Apple-interchange-newline">
</div>
<br></body></html>