<html><body><div style="color:#000; background-color:#fff; font-family:verdana, helvetica, sans-serif;font-size:12pt"><div><span>Dear Trevor,</span></div><div><span><br></span></div><div><span>for that there are two terms in Russian terminology; obrascheniye is for inversion and peremescheniye--for shifting of the upper three voices (any kind of shifting, such as arpeggiation or chordal skip or voice exchange in two voices). These two terms are very similar (and therefore easy to remember) but the distinction is important--I agree with you!</span></div><div><span><br></span></div><div><span>Best,</span></div><div><span><br></span></div><div><span>Ildar Khannanov</span></div><div><span>Peabody Conservatory</span></div><div><span><a href="mailto:solfeggio7@yahoo.com">solfeggio7@yahoo.com</a> </span></div><div class="yahoo_quoted" style="display: block;"> <br> <br> <div style="font-family: verdana, helvetica, sans-serif; font-size: 12pt;">
<div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 12pt;"> <div dir="ltr"> <font face="Arial" size="2"> On Tuesday, March 18, 2014 4:52 PM, Trevor de Clercq <trevor.declercq@gmail.com> wrote:<br> </font> </div> <div class="y_msg_container">Hi all,<br><br>My students with some piano background often confuse chord inversions with what their right hand is doing, such as a "first inversion" chord means that the chordal third is played by the thumb of the right hand, even if the root is in the bass (left hand). This misconception seems to be something derived from their previous piano pedagogy as far as I can tell.<br><br>My question: Is there a technical term for different voicings of the right hand? I realize I can't retrain the piano teachers of the world to use a different term. But does something like "first voicing," "second voicing" exist? Maybe this is more a
thread for the keyboard world, but it impacts my music theory teaching.<br><br>Oh, and dear fundamentals textbook authors, PLEASE stop explaining and drilling inversions of chords using only the treble clef. It reinforces this misconception and leads others down the same path. I realize it's a convenience thing (cost of paper and ink), but it unnecessarily confuses so many of our students.<br><br>Best,<br>Trevor de Clercq, PhD (Music Theory, Eastman 2012)<br>Assistant Professor<br>Department of Recording Industry<br>Middle Tennessee State University<br>Murfreesboro, TN 37132<br>(office) Ezell 104A<br>615-898-5821<br><a href="mailto:trevor.declercq@mtsu.edu" ymailto="mailto:trevor.declercq@mtsu.edu">trevor.declercq@mtsu.edu</a><br>_______________________________________________<br>Smt-talk mailing list<br><a href="mailto:Smt-talk@lists.societymusictheory.org"
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