
<html><head><meta http-equiv="Content-Type" content="text/html charset=windows-1252"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;">Edward Elgar’s “Bach in Four Clefs” is unique, or if its not, wherever it originally came from.<div><br></div><div>Best,</div><div>Conor Cook</div><div>MA Theory Program</div><div>University of Minnesota</div><div><br></div><div><div style="margin: 0px;"><img alt="2bach.gif" apple-inline="yes" id="C7D18D71-31E4-4E5B-BD6F-4E27CB58BEE1" height="340" width="233" apple-width="yes" apple-height="yes" src="cid:D1DCB439-4784-4140-9B68-F6B2662C7853"></div><div style="margin: 0px;">Source: <a href="http://www.elgar.org/2article02.htm">http://www.elgar.org/2article02.htm</a></div><div style="margin: 0px;"><br></div><div><div><div>On Mar 28, 2014, at 5:41 PM, Isaacson, Eric J <<a href="mailto:isaacso@indiana.edu">isaacso@indiana.edu</a>> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">Dear Colleagues,<br><br>I have been collecting musical "images" (figures, annotated musical examples, diagrams) that are important, iconic, controversial, historically significant, information-rich, unusually effective, simply unusual, or interesting in other ways. Do you have a favorite image that you think should be in my collection? References shared publicly or privately are welcome. <br><br>Eric Isaacson<br>SMT Treasurer<br>Associate Professor of Music Theory<br>Director of Graduate Studies<br>Indiana University Jacobs School of Music<br><br>_______________________________________________<br>Smt-talk mailing list<br><a href="mailto:Smt-talk@lists.societymusictheory.org">Smt-talk@lists.societymusictheory.org</a><br>http://lists.societymusictheory.org/listinfo.cgi/smt-talk-societymusictheory.org<br></blockquote></div><br></div></div></body></html>