<html><head><meta http-equiv="Content-Type" content="text/html charset=windows-1252"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;"><span style="font-family: BookmanOldStyle; font-size: large;">Eric’s story is terribly amusing and validates my suspicion that there is something special about F sharp major aside from the fact that it is as far away from C major on the Circle of 5ths as you can get. I will continue to collect data from my SMT friends and will report back in a week. Movements qualify for my list but not themes or sections. I do think it is interesting that in the last three hundred years such a small number of pieces are in this key when there are 12 trillion pieces in D. F# major, as many have pointed out, sits very well under the hand on the piano and Irving Berlin knew that better than anyone.</span><div><font face="BookmanOldStyle" size="4"><br></font><div apple-content-edited="true">
<div style="color: rgb(0, 0, 0); font-family: 'Bookman Old Style'; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="color: rgb(0, 0, 0); font-family: 'Bookman Old Style'; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="color: rgb(0, 0, 0); font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="color: rgb(0, 0, 0); font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="color: rgb(0, 0, 0); font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="font-family: 'Bookman Old Style'; font-weight: normal; font-style: normal; "><font><b style="font-size: 12px; ">Dr. Stephen Jablonsky, Ph.D.</b></font></div><div style="font-family: 'Bookman Old Style'; font-weight: normal; font-style: normal; "><b style="font-size: 12px; ">Music Department Chair</b></div><div style="font-family: 'Bookman Old Style'; font-weight: normal; font-style: normal; "><b style="font-size: 12px; ">The City College of New York</b></div><div style="font-family: 'Bookman Old Style'; font-weight: normal; font-style: normal; "><b style="font-size: 12px; ">Shepard Hall Room 72</b></div><div style="font-family: 'Bookman Old Style'; font-size: medium; font-weight: normal; font-style: normal; "><b style="font-size: 12px; ">New York NY 10031</b></div><div style="font-family: 'Bookman Old Style'; font-weight: normal; font-style: normal; "><b style="font-size: 12px; ">(212) 650-7663</b></div><div style="font-family: 'Bookman Old Style'; font-weight: normal; font-style: normal; "><font><b style="font-size: 12px; "><a href="mailto:music@ccny.cuny.edu">music@ccny.cuny.edu</a></b></font></div><div style="font-family: Helvetica; font-weight: normal; font-style: normal; "><br></div><div><font face="Copperplate"><span style="font-size: 12px; ">America's Greatest Chair </span></font></div><div><font face="Copperplate"><span style="font-size: 12px; ">in the low-priced field</span></font></div></div><br class="Apple-interchange-newline"></div><br class="Apple-interchange-newline"></div><br class="Apple-interchange-newline"></div><br class="Apple-interchange-newline"></div><br class="Apple-interchange-newline"><br class="Apple-interchange-newline">
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<br><div><div>On May 19, 2014, at 9:15 AM, Lai, Eric C. <<a href="mailto:Eric_Lai@baylor.edu">Eric_Lai@baylor.edu</a>> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">
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<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
<font size="4">It happened one day during my undergraduate years. I was practicing Liszt's "L<span style="background-color: rgb(235, 234, 228); "><span style="line-height: 20px;">es jeux d'eaux à la Villa d'Este" when the door was suddenly flung open and in
came one of my theory professors. He asked, "Is that piece you're playing in F# or Gb?" I answered, "F-sharp major." He then looked up to the ceiling, contemplated for a few seconds, and left the room without saying a word. I am still amused (and puzzled)
every time I recall this </span></span><span style="line-height: 20px;">anecdote.</span></font>
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</span></font></div>
<div><font size="4"><span style="line-height: 20px;">BTW, he has one of the most interesting personalities I have ever encountered. He would always lie down on the pedestrian walkway in front of the school building with his radio next to him because, according
to him, that spot had the best reception in the area!</span></font></div>
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<div><font size="4"><span style="line-height: 20px;"><br>
</span></font></div>
<div><font size="4"><span style="line-height: 20px;">Eric Lai</span></font></div>
<div><font size="4"><span style="line-height: 20px;">Baylor University<br>
</span></font>
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<div>
<div>On May 18, 2014, at 9:38 PM, Stephen Jablonsky <<a href="mailto:jablonsky@optimum.net">jablonsky@optimum.net</a>> wrote:</div>
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I know that many of our members in academe are preparing for the end of the school year and have little time for a dalliance with a particular key and the rest of you have busy lives as well. I, on the other hand, being a lifteime composer, have a mild case
of OCD and could not let go of this inquiry into the frequency of usage of F sharp major. A cursory search of the Internet, and some help from friends, has produced what may be the first definitive list of works in this very rare key. Obviously, the list does
not include works that attempt to do things in every key. G flat major is another story for another day.
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<![endif]--><!--StartFragment--><p class="MsoNormal">Beethoven Sonata No. 24, op.78<o:p></o:p></p><p class="MsoNormal">Chopin Nocturne op. 15, No. 2; Barcarole, op. 60; Impromptu, op. 36<o:p></o:p></p><p class="MsoNormal">Dvorak Humoresque, B. 138 (op. 32)<o:p></o:p></p><p class="MsoNormal">Huré Sonata for Cello and Piano No. 3<o:p></o:p></p><p class="MsoNormal">Korngold Symphony, op. 40<o:p></o:p></p><p class="MsoNormal" style="margin-left:1.5in;text-indent:-1.5in">Liszt “Benediction de Dieu dans la solitude” from
<i>Harmonies poetique et religieuses, III<o:p></o:p></i></p><p class="MsoNormal">Mahler Symphony No. 10<o:p></o:p></p><p class="MsoNormal">Scarlatti Sonatas, K. 318 and 319<o:p></o:p></p><p class="MsoNormal">Schumann Romance, op. 28, No. 2<o:p></o:p></p><p class="MsoNormal">Scriabin Sonata No. 4, op. 30; Poeme, op. 32. No. 1<o:p></o:p></p><p class="MsoNormal">Soler Sonata, Rubio 90<o:p></o:p></p>
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<font><b style="font-size: 12px; ">Dr. Stephen Jablonsky, Ph.D.</b></font></div>
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