<html><head><meta http-equiv="Content-Type" content="text/html charset=windows-1252"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;"><div>Great apologies for naming the wrong Cone book instead of Musical Form and Musical Performance. I was *so sure*.</div><div>Jay </div><br><div><div>On Jul 24, 2014, at 9:23 AM, Murphy, Scott Brandon <<a href="mailto:smurphy@ku.edu">smurphy@ku.edu</a>> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">
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Thanks to all who responded, and to those who pointed me to Cone’s <i>Musical Form and Musical Performance</i>, pp. 75-76, where I found what I had lost, although there’s a curious slip of type there: “But now a look at the bass discovers, beginning in the
fifth measure, an exact diminution of this accent! [instead of ascent]"
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<div>Cheers,</div>
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<div>-Scott</div>
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Scott Murphy<br>
Director, Music Theory and Composition Division<br>
Associate Professor, Music Theory<br>
University of Kansas<br>
<a href="mailto:smurphy@ku.edu">smurphy@ku.edu</a></div>
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