[Smt-talk] Altered pitch, preserved contour
Dave Headlam
dheadlam at esm.rochester.edu
Wed May 20 07:01:18 PDT 2009
Richard: take a look at Bartok's discussion of the expansion of intervals
in the theme of the Music for Strings, Percussion, Celeste, which moves from
a chromatic context of a filled in P5 to an "acoustic scale" context in the
final movement: from A-E to C-C
A-Bb-B-C-C#-D-D#-E
C-D-E-F#-G-A-Bb-C
A-Bb-C#-C etc.
C-D-G-F# etc.
Bartok described it (Harvard Lectures) as "interval expansion" I believe.
Dave Headlam
On 5/20/09 6:23 AM, "Richard Lewis" <richardlewis at fastmail.co.uk> wrote:
> Can anyone think if there's an accepted term to describe the
> phenomenon where some musical material is stretched in pitch (making
> the intervals bigger but preserving the contour). The first thing that
> comes to mind is 'augmentation', but this is usually only applied to
> rhythmic alteration.
>
> I suspect that, as this phenomenon is not common in the Western canon,
> it may have escaped categorisation by the early C20th arbiters of
> music theory. Though I'd be happy to be proved wrong.
>
> Best wishes,
> Richard
--
Dave Headlam
Professor of Music Theory
Joint Professor of Electrical Engineering
Eastman School of Music
26 Gibbs St
Rochester, NY 14604
(585) 274-1568 office
dheadlam at esm.rochester.edu
http://theory.esm.rochester.edu/dave_headlam
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