[Smt-talk] Pop songs with metrically altered transistions
Reed,Smith Alexander
alexreed at ufl.edu
Sun Nov 29 09:00:54 PST 2009
Representing my roots in late 80s and early 90s alternative music,
I'd also nominate Midnight Oil's "Beds Are Burning" (containing
breaks of 2/4 and 6/4 preceding the choruses), Tori Amos's "Space
Dog" (with a great measure of 3 at the end of verse 1), Erasure's
"Always" (which has an awkward 5/4 at the end of the chorus
melody), and an almost unheard-of instance of this in techno, the
classic "Move Any Mountain" by The Shamen (where an extra beat
shows up in the snare fill at the end of the intro). Also, the
modulation to the final chorus in Bon Jovi's "Livin' On A Prayer"
drops an fairly dramatic quarter note, if I recall correctly.
My hunch is that the list of moments like this is very, very
long.
Though it's not directly related, this discussion brings to mind
pieces like Pink Floyd's "Mother," in which the opening gesture
prepares what one assumes will be a syncopation over a steady
meter, but which in fact reasserts the downbeat in an odd place
(e.g. 5/8 to 4/4 on "Mother, do you think they'll drop the
bomb?").
S. Alexander Reed
Assistant Professor
University of Florida
More information about the Smt-talk
mailing list