[Smt-talk] Metamorphosis
Gregory Karl
gregkarl at frontier.com
Thu May 16 19:25:39 PDT 2013
Hi Michael,
If I remember correctly, this article uses the Urpflanze as its prime
example of bad science. It may cite some useful sources:
David L. Montgomery , "The Myth of Organicism: From Bad Science to
Great Art," The Musical Quarterly, 75 (1991)
Ruth Solie's "The Living Work: Organicism and Musical
Analysis," (19th-Century Music 4 (1980)) might have some good leads.
It's been a while; I just don't remember.
Bye now,
Greg Karl
Jay NY
On May 16, 2013, at 10:31 AM, Michael Morse wrote:
> Dear Folks,
>
> I've been at least tangentially intrigued by the influence of
> Goethe on musicians and music theory for quite a while. Anton
> Webern's letter to his friends Josef Humplik and Hildegard Jone
> about the conception of his Variations for Orchestra explicitly
> ties that work to Goethe's Urpflanze notion. And I recently read a
> critical but very respectful study by Helmholtz of the contemporary
> status, ca. 1860, of Goethe's scientific ideas. It made me wonder;
> has anyone tried to synthesize the scattered but clearly
> considerable influence of Goethe's scientific ideas on music theory
> and practice? Are there studies you can recommend about particular
> musicians or theorists? Finally, has anyone here ever been involved
> with this set of issues?
>
> Thx,
>
> Michael Morse
> Trent University
> Peterborough, Oshawa
>
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